Tuesday, September 30, 2008
Ledger's insurance firm sued over nonpayment
By Jill Serjeant
LOS ANGELES (Reuters) - Heath Ledger's insurance company has been sued in Los Angeles for not paying out $10 million in benefits to his daughter, claiming the actor may have committed suicide, according to court papers.
The 28-year-old Australian star of "Brokeback Mountain" and "The Dark Knight" was found dead in his New York apartment in January in what officials ruled was an accidental death from an overdose of painkillers and other medicines.
But lawyers for the ReliaStar insurance company, where Ledger took out a life insurance policy in 2007, have claimed his death was suspicious and possibly a suicide. That would nullify the policy, said the court papers posted on celebrity website TMZ.com.
Ledger's daughter with actress Michelle Williams, Matilda Rose, 3, was named as the beneficiary in the policy, insurance specialist lawyer William Shernoff said on Monday.
"ReliaStar want to investigate the possibility of suicide, and we think that is inappropriate because the coroner's report and all the official reports say it was accidental," said Shernoff, who filed the suit on behalf of Ledger's daughter in July.
"It is distressing for everybody. The insurance company wants to spend months, if not years, investigating this so they can hold on to their money," Shernoff told Reuters.
He added that ReliaStar told him they wished to take legal statements from the masseuse who found Ledger's body, his colleagues, agents, doctors and actress Mary-Kate Olsen, Ledger's friend and the first person called by the masseuse.
A ReliaStar spokesman said the company was still investigating the claim on the policy and had not yet made a decision.
The company said in court filings it was entitled to investigate because Ledger died within two years of taking out the policy, and accused the other side of failing to cooperate.
News of the legal dispute came after Ledger's father told Australia's Sunday Times that the actor's estate, with an estimated value of $20 million Australian (US $16 million), would go to his daughter. The disputed life insurance benefit is not included in Ledger's estate and will.
(Editing by Bob Tourtellotte)
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Coldplay, Duffy lead MTV Europe nominations
LONDON (Reuters Life!) - English band Coldplay and Welsh soul singer Duffy lead the MTV Europe Music Awards nominations with three apiece, followed by U.S. pop star Britney Spears, shortlisted in the best album and best act categories.
Coldplay, who topped the charts with their album "Viva La Vida or Death and All His Friends," have been named in the Album of the Year, Act of 2008 and Most Addictive Track categories for their single "Viva La Vida."
Duffy is also in contention for best album ("Rockferry") and addictive track ("Mercy") as well as Best New Act.
Several artists garnered two nominations apiece as seven of the 11 categories were announced on Monday, ahead of the November 6 awards show in Liverpool where Beyonce will headline.
Alicia Keys appears in the best album and Ultimate Urban categories, and Leona Lewis is vying for best album and Act of 2008.
Linkin' Park and Metallica both appear in the Headliner and Rock Out categories, while troubled singer Amy Winehouse was nominated for the Act of 2008 award.
Between September 29 and November 2, MTV viewers will be able to vote for the winners of each category at www.mtvema.com.
In 2007, more than 30 million people watched the MTV Europe Music Awards, according to the music channel, and there were three million visitors to dedicated MTV Europe Music Awards websites, up 35 percent on 2006.
Following is the full list of nominations:
Album Of The Year
- Alicia Keys ("As I Am")
- Britney Spears ("Blackout")
- Coldplay ("Viva La Vida or Death And All His Friends")
- Duffy ("Rockferry")
- Leona Lewis ("Spirit")
Headliner
- Foo Fighters
- Linkin Park
- Metallica
- The Cure
- Tokio Hotel
Most Addictive Track
- Coldplay ("Viva La Vida")
- Duffy ("Mercy")
- Katy Perry ("I Kissed A Girl")
- Kid Rock ("All Summer Long")
- P!nk ("So What")
New Act
- Duffy
- Jonas Brothers
- Katy Perry
- Miley Cyrus
- One Republic
Act of 2008
- Amy Winehouse
- Britney Spears
- Coldplay
- Leona Lewis
- Rihanna
Ultimate Urban
- Alicia Keys
- Beyonce
- Chris Brown
- Kanye West
- Lil Wayne
Rock Out
- 30 Seconds to Mars
- Linkin Park
- Metallica
- Paramore
- Slipknot
(Reporting by Mike Collett-White)
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Plant rules out Led Zeppelin reunion
LONDON (Reuters) - Former Led Zeppelin lead singer Robert Plant has put paid to persistent rumors that the British rock giants were planning to reunite for a tour.
The famous foursome got back together for a one-off charity gig in London last December, and the media has speculated ever since that they could stage a comeback tour that would be expected to sell out arenas around the world.
Band insiders have said that Plant, who is touring the United States with Alison Krauss, has been the most reluctant to get back together, and a statement on his website on Monday made clear his intentions.
"Robert Plant and Alison Krauss are currently touring the USA on the last leg of their 'Raising Sand' tour," he said, adding that the tour finished on October 5.
"After those dates, Robert has no intention whatsoever of touring with anyone for at least the next two years.
"Contrary to a spate of recent reports, Robert Plant will not be touring or recording with Led Zeppelin."
He called the reports "both frustrating and ridiculous," before adding: "I wish (guitarist) Jimmy Page, (bassist/instrumentalist) John Paul Jones and (drummer) Jason Bonham nothing but success with any future projects."
Bonham's father John died in 1980 after a drinking binge, prompting the demise of a group that created hits like "Stairway to Heaven" and "Whole Lotta Love," and has sold more than 300 million albums and influenced countless bands.
(Reporting by Mike Collett-White, editing by Paul Casciato)
(To read more about our entertainment news, visit our blog "Fan Fare" online at blogs.reuters.com/fanfare)
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Monday, September 29, 2008
Bring on child number seven
Brad Pitt and Angelina Jolie are reportedly looking to adopt another child, just months after the birth of twins.[Agencies]
(China Daily) Brad Pitt and Angelina Jolie are planning to adopt another child.
The couple - who have adopted children Maddox, seven, Pax, four and Zahara, three, as well as two-year-old biological daughter Shiloh and two-month-old twins Knox Leon and Vivienne Marcheline - are reportedly considering raising a child from either Namibia, Bolivia or Paraguay.
The pair are said to be interested in giving a child from Namibia a home as Shiloh was born in the country.
However, Angelina is also keen to adopt from a South American country because she wants to raise awareness of the large number of children who are in need of help in the region.
Meanwhile, Angelina and the children recently joined Brad in Berlin, where he is filming the new Quentin Tarantino film Inglorious Bastards.
The family are reportedly staying in a 12,000 sq ft villa - which they are leasing for $40,000 per week - on the outskirts of the German city.
The property was also inhabited by Tom Cruise while he was filming Valkyrie.
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Friday, September 26, 2008
"Eagle Eye" a highflier among weekend offerings
By Carl DiOrio
LOS ANGELES (Hollywood Reporter) - "Eagle Eye" has a clear shot at the perch atop the weekend boxoffice.
The DreamWorks/Paramount thriller starring Shia LaBeouf opens Friday with mere pretenders to the domestic throne as competition.
Rated PG-13, "Eagle Eye" -- which co-stars Michelle Monaghan ("The Bourne Supremacy") and was directed by D.J. Caruso ("Disturbia") -- is tracking best with younger males and second best with younger females. The film counts Steven Spielberg among its producers and boasts 85 Imax giant-screen playdates in addition to its roughly 3,500 engagements in traditional venues
"It's the first mainstream, tech-savvy movie that we've ever had in the fall," Imax Filmed Entertainment chief Greg Foster said. "We need to prove ourselves as a year-round enterprise, so it's a big step."
Imax venues helped pad the huge summer run for Warner Bros.' "The Dark Knight." The giant-screen exhibitor's next big release of a commercial Hollywood film comes in November, with Paramount's simultaneous launch of DreamWorks Animation's "Madagascar: Escape 2 Africa" in Imax and traditional theaters.
Prerelease tracking surveys suggest a bow of $25 million to $28 million for "Eagle Eye."
"From a competitive standpoint, you're coming into a pretty open market," Paramount vice chairman Rob Moore said. "You also have a star coming off of three hits."
That would be LaBeouf, who ran a 2007-08 trifecta with "Disturbia," "Transformers" and "Indiana Jones and the Kingdom of the Crystal Skull."
Elsewhere among Friday's wide openers, Warner Bros. unspools its Nicholas Sparks literary adaptation "Nights in Rodanthe," starring Richard Gere and Diane Lane.
Sure to lure a fair number of older women, "Rodanthe" could struggle to attract other moviegoers. An opening in the low double-digit millions looks likely for the PG-13 drama.
Spike Lee's World War II film "Miracle at St. Anna," from Disney, will be disadvantaged by its two-hour, 40-minute running time, mixed early reviews and an R rating for violence and a bit of nudity.
An adaptation of a James McBride novel, "Miracle" will work wonders if it treks significantly into the double-digit millions. Derek Luke ("Antwone Fisher") leads the cast in the film about an all-black U.S. Army regiment in Tuscany.
Also this weekend, Samuel Goldwyn/IDP releases "Fireproof," a Christian-themed firefighting drama starring Kirk Cameron, in about 800 locations. And "The Lucky Ones" -- a drama about a trio of Iraq War veterans from Lionsgate and Roadside Attractions -- is getting an almost-wide burst of 400 screens.
Reuters/Hollywood Reporter
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Busta Rhymes released from UK detention
LONDON (Reuters) - Rapper Busta Rhymes was held by British immigration officials at a London airport for almost 12 hours on Thursday before a High Court judge ordered his release.
Officials at London City Airport, citing "unresolved convictions in the USA," detained the rapper after he arrived to perform at a concert in the capital's Royal Albert Hall on Friday.
"A High Court judge ordered his release this evening. He has been allowed entry into the UK having been detained all day at London City Airport," said a spokeswoman for concert organizers RockCorps.
She said his appearance at the event would depend on the outcome of a judicial review due to be held on Friday.
"We're very hopeful he'll be playing the show," she added.
RockCorps is a volunteer project which rewards youngsters with free concert tickets in return for doing four hours of charity work.
Immigration officials tried to put Rhymes on a flight to Amsterdam but his lawyer obtained an injunction and applied for a judicial review of the decision not to grant him admission, said cell phone operator Orange, which is promoting the concert.
This year Rhymes was sentenced to three years' probation for beating a fan who spat on his car in August 2006 and assaulting his driver that December.
"He has the necessary work permit and has been in the country twice already this year, so we're a little puzzled that a question mark is now being placed over his ability to enter the country to perform to volunteers," said Stephen Greene, co-founder of RockCorps.
"We're shocked at this sequence of events and this treatment of Busta."
The London show, which will feature British bands The Automatic, Feeder and U.S. soul singer John Legend, is being held for 5,000 fans who clocked up a total of 20,000 hours of voluntary work.
Britain's Home Office said previous criminal convictions and a person's character and conduct were assessed before an individual was allowed into the country.
(Reporting by Michael Holden, David Clarke and Mike Collett-White; editing by Andrew Dobbie)
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Thursday, September 25, 2008
Oprah Winfrey hops aboard Disney's "Frog"
By Borys Kit
LOS ANGELES (Hollywood Reporter) - Oprah Winfrey has joined the voice cast of the upcoming Disney animated film "The Princess and the Frog."
At a Disney presentation in Hollywood on Wednesday, John Lasseter, the chief creative office at Pixar and Walt Disney Animation Studios, said that Winfrey will play the character of Eudora, the mother of the main character, Princess Tiana, voiced by Anika Noni Rose.
The film, set for release in late 2009, is set in the French Quarter of New Orleans.
Winfrey has lent her vocal talents to several animated and fantasy films. Most recently, she played Judge Bumbleton in "Bee Movie," and she also provided dialogue for Gussy the Goose in the live-action "Charlotte's Web."
Randy Newman has written six new songs for "The Princess and the Frog," it was also announced. Newman appeared in person at the studio's presentation to perform one of the tunes, "Down in New Orleans."
Reuters/Hollywood Reporter
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McAdams on the case in "Sherlock Holmes"
By Borys Kit
LOS ANGELES (Hollywood Reporter) - Rachel McAdams, whose movies credits include "The Notebook" and "The Wedding Crashers," will star opposite Robert Downey Jr. in "Sherlock Holmes."
Guy Ritchie is directing the feature, a reimagining of Sir Arthur Conan Doyle's supersleuth, for Warner Bros. and Village Roadshow.
The movie takes its cue from a forthcoming comic book that producer Lionel Wigram wrote as a selling tool for a new take on the classic character. The concept sees Holmes as more adventurous and less stuffy than previous screen incarnations and mines more obscure character traits.
Downey will play Holmes, with Jude Law as his sidekick, Watson. Mark Strong ("RocknRolla") plays the main villain, Blackwood.
McAdams takes on the role of Holmes' enigmatic love interest, Irene Adler, a character who appeared in Conan Doyle's 1891 "A Scandal in Bohemia." The character appeared in only that one story, but McAdams would return for any possible sequel.
McAdams stars in "State of Play" with Ben Affleck and Russell Crowe, which is due in theaters in April, as well as "The Time Traveler's Wife," which will be released in fall 2009.
Reuters/Hollywood Reporter
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Magician Blaine survives his "Dive of Death"
NEW YORK (Reuters) - David Blaine's "Dive of Death" wasn't, after all -- the magician and showman ended up alive on Wednesday night after his 60-hour stunt of hanging upside down in Central Park.
Blaine, 35, had dangled from a cable attached to a large scaffold structure built high over the park's Wollman Rink since Monday, except for regular breaks for water and medical checks during which he was upright for periods of a few to several minutes each.
The spectacle ended during a nationally telecast two-hour television special which was filled out with taped footage of Blaine performing and interacting with fans across the country, and several "do not try this at home"-type disclaimers.
But Blaine had one more illusion for his fans. After ending his suspension, he plummeted some 44 feet from the top of the scaffold, swinging briefly from an attached cable. He then ascended and seemingly disappeared into the night sky high above the park.
Blaine said the hanging stunt got easier after the initial hours as his body adjusted, and he was strong enough to sign autographs, take pictures and even do card tricks while he was suspended.
The stunt was only the latest in a series of Blaine's public antics in New York. In November 2000 he spent 61 hours inside a block of ice in Times Square, and two years ago he lived for a week underwater in an acrylic sphere in front of Lincoln Center. In 2002, he stood atop a 90-foot (27 meter) pillar erected behind the New York Public Library for 35 hours.
Blaine also lived for 44 days inside a transparent box suspended over the Thames River in London in fall 2003.
(Writing by Chris Michaud, editing by Jackie Frank)
Reuters/Nielsen
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Metallica prevails over Ne-Yo to remain No. 1
By Katie Hasty
NEW YORK (Billboard) - Metallica's "Death Magnetic" held tight Wednesday for a second week at No. 1 on the U.S. album chart.
The hard rock band's first album in five years sold 337,000 copies in the United States during the week ended September 21, according to Nielsen SoundScan. The Warner Bros. release debuted with 490,000 the previous week after just three days of sales. (It was released worldwide on a Friday. Albums usually come out on a Tuesday in the United States, and a day earlier everywhere else.)
Starting at No. 2 was Ne-Yo's "Year of the Gentleman" with 250,000 copies. The Def Jam album follows two No. 1 bows for the R&B singer-songwriter: 2006 debut "In My Own Words" (301,000) and 2007's "Because of You" (251,000).
Nelly's "Brass Knuckles," the rapper's first studio set since 2004, entered the Billboard 200 at No. 3 with 84,000. Four years ago, he dropped two separate albums on the same day -- "Suit" and "Sweat" -- which debuted at Nos. 1 and 2 with 396,000 and 342,000, respectively.
In its 50th week on the chart, Kid Rock's "Rock N Roll Jesus" drops one rung to No. 4 on a 15 percent decline to 64,000 copies.
Hootie & the Blowfish frontman Darius Rucker debuted at No. 5 on the Billboard 200 with the country set "Learn to Live," which sold 60,000 copies.
Young Jeezy's "The Recession" fell from No. 2 to No. 6 with 60,000 copies, a 33 percent sales decline. DJ Khaled notched his third straight top 15 album as "We Global" entered at No. 7 with 49,000. His first two charting albums -- 2006's "Listennn: The Album" and 2007's "We the Best" -- debuted and peaked at Nos. 12 and 8, respectively.
Rock band Buckcherry earned its best sales week ever and highest-charting album as "Black Butterfly" opened at No. 8 with sales of 47,000.
Lil Wayne's "Tha Carter III" slipped 9 percent in sales and descended from No. 8 to No. 9 with 43,000 while the Game's "LAX" moved from No. 7 to No. 10 with 42,000 (a 16 percent decline).
Other new entries include All That Remains' "Overcome" (No. 16, 29,000), Raphael Saadiq's "The Way I See It" (No. 19, 23,000), Avenged Sevenfold's "Live in the LBC & Diamond in the Rough" (No. 24, 20,000) and Eli Young Band's "Jet Black & Jealous" (No. 30, 16,000).
At 6.92 million units, sales were up 1.1 percent from the previous week's sum and down 16.5 percent from the year-earlier period.
Reuters/Billboard
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Wednesday, September 24, 2008
Clay Aiken to reveal he is gay
LOS ANGELES (Reuters) - After years of dodging questions, former "American Idol" singer Clay Aiken will acknowledge he is a gay man in an interview with People magazine set to run on its Web site Wednesday, according to media reports.
Celebrity site Perezhilton.com on Tuesday published a photo of the cover of People magazine's upcoming issue on which Aiken cradles his new son, Parker Foster Aiken, in his arms.
The caption reads "Yes, I'm Gay," and underneath is a quote from Aiken on his decision to come out of the closet that says: "I cannot raise a child to lie or to hide things."
In August this year, Aiken's friend, music producer Jaymes Foster, gave birth to the baby fathered by Aiken.
A spokeswoman for People would neither confirm nor deny that Aiken told the magazine he is gay. But the magazine issued a statement saying, "We can confirm that Clay Aiken and his son appear on the next cover of People. For the complete story, visit people.com at 7 a.m. (EDT Wednesday) (1100 GMT) morning."
Aiken, 29, gained fame as a contestant on the No. 1-rated U.S. TV talent show "American Idol" in 2003. He was the runner-up that season but went on to build a solid singing career on his own. He currently appears on Broadway in "Monty Python's SPAMALOT."
For years, Aiken has dodged questions about whether he is homosexual despite persistent rumors on the subject. He has said, generally, that his sexuality was nobody's business but his own.
In 2006, ABC television's Diane Sawyer asked Aiken and he shot back that it was a "really rude" question. He also dodged it in a previous interview with People magazine saying that readers "are going to believe what they want."
(Editing by Bill Trott)
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Tuesday, September 23, 2008
Clooney and 'ER' return? Thanks, but no thanks
(China Daily) The producers of hospital drama "ER" are hoping to entice George Clooney back for the show's upcoming final season, even though Clooney has said he's not interested in putting his scrubs on one more time.
"ER" executive producer David Zabel told TV Guide that story lines had been dreamed up for the show's 15th and last season for all major past characters, including Clooney's Dr. Ross and his old flame, nurse Carol Hathaway, played by Julianna Margulies.
In an interview with TV Guide released on Monday, Zabel told the magazine he was "optimistic that we might be able to get them all. We have a really good story line for every (major) character from the past to show (the actors) what we want to do."
Anthony Edwards, whose character, Dr. Mark Greene, died of brain cancer in May 2002, has already agreed to return in flashback scenes this season, along with Laura Innes (Dr. Weaver), Paul McCrane (Dr. Romano, who also died) and Noah Wyle (Dr. John Carter).
But Clooney hasn't been tempted yet.
"He is on record as saying he is not coming back," said Clooney's publicist, Stan Rosenfield, on Monday. "It is something he has already done. He is busy making movies."
"ER" launched the career of Clooney as a matinee idol after he left the regular cast in 1999 to pursue his movie career full time. He returned for a surprise cameo in May 2000 marking the departure of Margulies from the show after six seasons.
The groundbreaking series, set in the emergency room of the fictional Chicago-based County General Hospital, was the top-rated drama on U.S. television for several years but ratings have slipped in recent years.
The series will end with a two-hour finale in May 2009, preceded by a one-hour retrospective.
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Janet Jackson parts ways with Island Def Jam
(China Daily) After just 14 months on Island Def Jam, Janet Jackson announced Monday (September 22) her departure from the label. According to Jackson's publicist, the label agreed to dissolve its relationship with the artist at her request.
After a long stint with Virgin, Jackson inked a deal with Island in July 2007 and released her label debut, "Discipline," in February. When album sales failed to meet expectations, the singer expressed dissatisfaction with Island Def Jam, first telling SOHH.com that the label "stopped all promotion whatsoever on the album" after releasing the first single, "Feedback."
Earlier this month, she hinted about potentially severing ties with the label to Billboard, stating, "I can't say if we'll be working with them in the future. I don't know what the future holds between the two of us."
Executive produced by Jackson and her boyfriend, Island Urban president Jermaine Dupri, "Discipline" debuted at No. 1 on the Billboard 200 in March with 181,000 copies sold. But it has shifted only 415,000 copies in the United States so far, according to Nielsen SoundScan, and spent just 14 weeks on the chart.
Now, Jackson "will have autonomy over her career, without the restrictions of a label system," according to a statement from her management team. "Always known to break new ground and set trends, Janet's departure from Island makes her one of the first superstar artists to have the individual freedom to promote their work through a variety of avenues such as iTunes, mobile carriers and other diverse and innovative channels."
Jackson is on the road for her first tour in seven years, "Rock Witchu," with support form LL Cool J and Donnie Klang. The outing began September 10 in Vancouver and runs through October 22 in Dallas.
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Heavy metal with mass appeal
(China Daily) Most teens may not get excited about going to church, but in Finland they are caught up in a craze sweeping the nation: Metal Mass.
"It's nice that there are slightly different church services compared to the usual ones," says 15-year-old Teea Pallaskari, who skips geography class to make the service in the plain, red-brick Lutheran Church - the state religion - in a small town north of Helsinki.
Inside, Pallaskari and her classmates squash together on packed pews, belting out hymns as a lead singer moshes wildly on stage to his band's ear-splitting tones.
When the music stops, the students burst into ecstatic applause and whistles, much to the approval of the pastor.
"It was really good," says Akseli Inkinen, a 17-year-old high school student with long, messy hair and big headphones.
It is hardly surprising that masses with metal hymns have surfaced in Finland - this is the country which won the Eurovision Song Contest for the first time in 2006 with Lordi's monster heavy metal song Hard Rock Hallelujah.
If it has a niche audience elsewhere, heavy metal is now mainstream in Finland. Helsinki alone abounds with heavy metal karaoke bars, dedicated metal clubs and regular gigs, adding to the dozens of summertime heavy metal festivals held around the Nordic country.
Some say the answer lies in the Finnish character.
"Finns are known to be reserved, serious and very honest. Somehow heavy metal fits into this as it is no-nonsense, honest, straightforward and quite gloomy," says Mikko Saari, a co-founder of Metal Mass ("Metallimessu" in Finnish).
"When you switch on the radio in Finland, you hear heavy metal music. The Finnish Eurovision Song Contest and even Idols (the Finnish equivalent to American Idol), were won with metal songs," says Kimmo Kuusniemi, one of Finland's Metal Mass pioneers.
The first Metal Mass in Finland was held in 2006 at the "Tuska" ("Pain") metal music festival in Helsinki. Since then, a Metal Mass tour bus has been zigzagging across the country.
"This is not the church's plan. Bishops did not plan this. It was started by five metal fans, three of whom worked at a church," Saari says.
Not everyone is happy with the mix. Some churchgoers feel loud rock music has no place in a house of God, and some pure metal fans accuse the Lutheran Church of co-opting their music to lure young people.
"Of course some Christian circles were scared and some true metal people were irate. But many said that the idea was great and that they had been waiting for it," Saari says.
Kuusniemi, 50, who is producing a documentary about Finnish metal music, says he was also skeptical at first.
"For me, metal mass was a surprise. Metal music and church did not fit in the same room," he says.
But the Finnish music scene has changed dramatically since he started his own band, Sarcofagus, in the late 1970s when the genre was widely considered "devil music", he says.
"Heavy metal is truly a mainstream phenomenon, metal is everywhere, and people have a positive attitude toward it."
Heavy metal gained a foothold in Finland thanks to independent record labels who gave little-known metal bands a chance to record, according to Jouni Markkanen, a promoter and agent with Finnish Metal Events (FME).
But now the big - and small - record companies are investing heavily.
"There are many bands with export potential in Finland, it has been proven," says Markkanen, saying Nightwish and HIM as well as Children of Bodom have sold well abroad.
But "we are still waiting for a mega class success".
(China Daily 09/23/2008 page19)
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Jay Chow to release new album "Capricorn"
(China Daily) Asian pop sensation Jay Chou's new album "Capricorn", named after his constellation, will be released across the Asia on October 9.
Pre-orders of the album are permitted from September 24, and those interested will receive a free Rubik's Cube.
The album's hit song "Fragrant Rice" is due to premiere worldwide on September 22 on Sina.com.
Both the lyrics and music of the song have been composed by Jay Chow. He uses simple words to create imaginative worlds through a combination of hip hop and folk music.
Influenced by TV reports of natural disasters, Jay said the song tries to convey the philosophy "to be content with what you have".
[Photo: ent.sina.com.cn]
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Movie : Taken
Movie Info :
Title : Taken
Release Date: 23 January 2009 (USA),26 September 2008 (UK)
Genre: Action, Crime, Drama, Thriller, Adventure
MPAA Rating: PG-13
Starring: Liam Neeson, Maggie Grace, Famke Janssen, Katie Cassidy, Xander Berkeley, Olivier Rabourdin, Leland Orser, Jon Gries
Pierre Morel (director) / Luc Besson, Robert Mark Kamen (screenplay)
Writers (WGA): Luc Besson, Robert Mark Kamen
Director: Pierre Morel
Producers : Luc Besson, India Osborne, Pierre-Ange Le Pogam
Official Website : http://www.takenmovie.com/
Synopsis :
As the movie opens, the hero of the story, a divorced ex-CIA operative named Bryan Mills (Liam Neeson), is already paranoid about his 17-year old daughter, Kim (Maggie Grace) traveling to Paris for the first time with only one other friend, Amanda (Katie Cassidy). After initially refusing to sign consent for her to travel as a minor without parental supervision, he reluctantly agrees thinking that this may be his chance to bond with his estranged daughter since he has moved closer to her in L.A. although she has told more than a few lies to be able to slide past Bryan’s seemingly overbearing paranoid assumptions. Then, when she arrives in Paris and while on the phone with her, he overhears her being taken away by some group of men.
Movie Review :
By Nix
Here’s a little sound advice to all you would-be criminals out there: if the guy whose daughter you have just abducted tells you in a calm, cool, and incredibly collected voice that he’s going to find and kill you, then maybe you should listen. Having listened, it’s then time to get the hell away from whatever city you’re currently in, and if possible, dig a hole halfway to China and learn how to speak Molemanese. But of course, if the criminals in “Taken” were smart, they wouldn’t have just kidnapped Liam Neeson’s daughter in the first place, so maybe the point is moot. Those poor, poor bastards, they haven’t a clue about the world of hurt they’re about to get into.
“Taken” is a Luc Besson picture, so right away you should expect all semblance of real-world logic to fly out the window from frame one. As with all his movies, Besson and co-writer Robert Mark Kamen establishes their premise the quickest way they know how, so by minute 30 Maggie Grace has been abducted and Neeson, playing her father, is on his way to Paris for some “man on fire” investigating. And of course by “investigating” I mean he beats up everyone in his path, breaks a dozen or so collar bones, and generally shoots up the place. You know, standard “pissed off father who just happens to be an ex-CIA spy” stuff. And did I mention the torturing? Yeah, he does some of that, too. No outsourcing to a third world country here. This is a guy who likes to get his hands dirty. And of course by “dirty” I mean really, really bloody.
It appears some Albanian scumbags have taken Kim (Grace) the very day she landed in Paris with her BFF Amanda (Katie Cassidy), and they don’t exactly have nice plans for the buoyant 17-year old. Yes, that’s right, Maggie Grace plays a 17-year old girl in the movie, and boy does director Pierre Morel (“Banlieue 13”) have no idea how 17-year old California girls act, because Grace so overdoes the “I’m playing a 17-year old girl” part that she comes across as more 12, or maybe 11. Landing in Paris in no time flat thanks to the private jet of his ex-wife’s rich new husband, Bryan (Neeson) begins taking the Albanian white slavery ring apart, starting from the very bottom and working his way to the top. Much karate chopping, bone breaking, and bullet firing ensue.
Anyone who has seen “Batman Begins” (or before that, “Rob Roy”) probably won’t be too surprised to learn that the unassuming Liam Neeson, when given the opportunity, can kick ass with the best of them. Certainly a director who knows how to shoot action helps, but Neeson earns his star salary here, and is onscreen for pretty much the entire movie. Speaking of action, Luc Besson apprentice Pierre Morel offers up a couple of nifty moments, including a tense sequence that has Bryant literally waltzing into the lion’s den with a smooth as silk con. When Bryant goes into action, it’s fast and swift and most of all, brutally to the point. An average looking guy in every respect, Neeson pulls the action off like a champ, delivering precision strikes at throats, arms, and legs like he’s been doing it his entire life. Of course, rapid-fire editing helps, but then again, doesn’t the phrase “rapid-fire editing” go hand-in-hand with action movies nowadays? Ask Matt Damon if he can really kick all that ass.
Unsurprisingly for a Luc Besson actioner, the supporting cast come and go as the plot dictates, leaving no real impressions while they were onscreen. Maggie Grace disappears once she’s been kidnapped, and doesn’t show up again until the final few minutes. Famke Janssen, as Neeson’s ex, along with her new husband Xander Berkeley, are also only there to establish what a deadbeat dad Bryan has been, making his pursuit of his kidnapped daughter all the more desperate. There’s not even a main bad guy for Bryan to pursue, just different rungs of the white slavery ladder to be climbed. It also seems like half of France is involved in the criminal activity, and because Bryan is just so gosh darn efficient, most of them don’t last more than a few scenes before they’re dispatched with extreme prejudice. And just for kicks, Bryan even puts a bullet in one of the bad guys’ apparently innocent old lady. Now that’s hard core.
“Taken” isn’t going to win any awards, but if you’ve seen the trailers, you probably already know that. It’s a smooth actioner, barely 90 minutes long, and the film is one of those high-concept movies sold purely on its single logline: Ex-CIA guy kills half of Paris to get back his kidnapped daughter. Mind you, not that a movie that lives up to its most basic premise is such a bad thing. In fact, knowing Besson, if “Taken” proves to be successful at the box office, I wouldn’t rule out a “Taken 2”. Besson has never been one to shy away from sequels to moderately successful movies; heck, this would just mean he can squeeze out another movie in-between the 20 other action scripts he’s currently involved in next year. Give or take a dozen movies.
Pierre Morel (director) / Luc Besson, Robert Mark Kamen (screenplay)
CAST: Liam Neeson … Bryan
Maggie Grace … Kim
Famke Janssen … Lenore
Xander Berkeley … Stuart
Katie Cassidy … Amanda
Olivier Rabourdin … Jean Claude
Leland Orser … Sam
Jon Gries … Casey
Taken From : http://www.beyondhollywood.com
[OFFICIAL] TAKEN - TRAILER 2 [ 2nd TRAILER] [19 JUNE 2008]
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Monday, September 22, 2008
Katie Holmes debuts on Broadway amid protests
NEW YORK (Reuters) - Actress Katie Holmes won praise for her debut on Broadway on Thursday night, where she was cheered on by actor husband Tom Cruise and shouted at by anti-Scientology protesters outside the theater.
The drama started before the curtains went up in the Gerald Schoenfeld Theater with a group of about 20 protesters, some masked, chanting "Scientology is a cult" and "Free Katie", according to the New York Daily News.
Inside Cruise, star of "Mission: Impossible" and one of the best known members of the Church of Scientology, was the main attraction, swarmed by fans and agreeing to pose for photos, overshadowing Dustin Hoffman who was also present.
But once the real action started on stage, Holmes proved herself to be worthy of her co-stars, Tony winner John Lithgow, Oscar winner Dianne Wiest and Patrick Wilson, in Arthur Miller's classic "All My Sons", according to press reports.
"She was extraordinary," Cruise said with pride following two standing ovations for the cast, according to The Daily News.
Katie was "actually pretty good. She has her hands on her hips a lot like she's posing for pictures and she projects her voice a bit too much, but she's a good actress," one audience member told OK! magazine.
Previews for the play began on Thursday but the official opening is October 16.
Holmes, 29, shot to fame on the U.S. television series "Dawson's Creek" before marrying actor Cruise with whom she has a daughter Suri.
Most recently she starred in box office flop "Mad Money".
"All My Sons", based on the true story of a successful businessman who knowingly sold the government defective airplane parts during World War Two, was first performed on Broadway in 1947 and won Tony Awards for Miller and director Elia Kazan.
It was adapted for a 1948 film starring Edward G. Robinson and Burt Lancaster and then performed again on Broadway in 1987.
Holmes plays the fiancee of the businessman's son, who is also the daughter of his partner.
Scientology was founded by science fiction writer Ron L. Hubard in Los Angeles more than 50 years ago and has a following among some Hollywood celebrities but is condemned as a cult in some quarters, including by the German government.
Reuters/Nielsen
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Crime pays for Samuel L. Jackson at box office
By Dean Goodman
LOS ANGELES (Reuters) - Samuel L. Jackson ruled the North American box office for the second time this year, while moviegoers largely ignored three other new releases as overall weekend sales resumed their downward spiral.
According to studio estimates issued on Sunday, Jackson's cop thriller "Lakeview Terrace" sold a modest $15.6 million worth of tickets during its first three days of release. It barely surpassed the $14 million opening for Jackson's 2006 bomb "Snakes on a Plane."
But Screen Gems, the distributor of the $20 million film, said the three-day tally was at the upper end of its expectations. Screen Gems is a low-budget division of Sony Corp.
Jackson plays a vindictive cop who makes life hell for his new neighbors. Reviews were mixed, even though it was directed by Neil LaBute, the filmmaker behind such edgy dramas as "In the Company Of Men."
The 59-year-old actor was last at No. 1 with the sci-fi action movie "Jumper," which opened with $27 million in February and finished with $80 million.
As for the other three rookies, the Lionsgate romantic comedy "My Best Friend's Girl," starring Kate Hudson and Dane Cook, opened at No. 3 with $8.3 million; the MGM cartoon "Igor" was No. 4 with $8 million; and Paramount/DreamWorks' Ricky Gervais comedy "Ghost Town" was No. 8 with $5.2 million.
Last weekend's champ, the Coen brothers' comedy "Burn After Reading" slipped to No. 2 with $11.3 million. The Focus Features release, which stars George Clooney and Brad Pitt, has earned $36.4 million after 10 days, and should end up in the $50 million range, the studio said.
SALES FALLING
Overall sales fell 4 percent from the year-ago period to $93 million, said tracking firm Media By Numbers, and have now dropped for eight of the last nine weekends. Year-to-date sales are flat, and the number of tickets sold is down by about five percent, the company said.
A week ago, Lionsgate had predicted that "My Best Friend's Girl" would be No. 1, and the $8.3 million opening was at the lower end of expectations, the studio said. Observers speculated the film might have been too raunchy for Hudson's core female fan base.
Hudson went to No. 1 in February with "Fool's Gold," which opened to $21.6 million. Cook was No. 2 last September with a $13.7 million opening for "Good Luck Chuck."
"Igor" revolves around a hunchbacked servant who dreams of scientific stardom. John Cusack leads the voice cast. The $25 million film was produced by independent animator Exodus Film Group, which said it was pleased with the $8 million opening. In addition to the usual family audience, the film also drew teens and young adults, Exodus founder/CEO John Eraklis said.
"Ghost Town" marks the feature headlining debut of Gervais, the wry co-creator of the BBC comedy "The Office." He plays a misanthropic dentist who sees dead people. The film played mostly to women and old people, not exactly Hollywood's preferred audience. A DreamWorks spokesman predicted the $20 million film would do better internationally. It opens on October 24 in the United Kingdom.
Focus Features is a unit of General Electric Co's NBC Universal. Lionsgate is a unit of Lions Gate Entertainment Corp. Metro-Goldwyn-Mayer is privately held. DreamWorks Pictures and Paramount Pictures are units of Viacom Inc.
Reuters/Nielsen
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"Mad Men," "John Adams" make Emmy record book
By Steve Gorman
LOS ANGELES (Reuters) - Two period dramas set 200 years apart in American history -- "Mad Men" and "John Adams" -- claimed a place in the Emmy record books on Sunday as U.S. television's highest honors were presented in a ceremony rife with political undertones.
"Mad Men," the critically acclaimed new AMC series set in New York's advertising industry at the cusp of the 1960s social revolution, became the first show from a cable network other than HBO to win the Emmy for best drama.
Meanwhile, HBO's seven-part story of the nation's second president, "John Adams," finished the evening with 13 Emmys, the most ever by a miniseries, surpassing the previous record of 11 set in 2004 by HBO's adaptation of the Pulitzer Prize-winning play "Angels in America."
Emmy voters also repeated history by crowning a parody of the TV industry itself, "30 Rock," as best comedy series for a second straight year, while another NBC workplace satire, "The Office," was snubbed for a third year in a row.
The difference this year was that "30 Rock" also brought its two stars, Tina Fey and Alec Baldwin, along for the ride.
Fey was named best actress in a comedy as the harried head writer of a TV variety show, a role loosely based on her experience on "Saturday Night Live." Baldwin won the prize as best comedy actor for playing her venal, egotistical boss.
Fey, the show's creator and producer, also won for best writing on a comedy series. The series came away with seven Emmys in all, second only to the tally for "John Adams."
"We're very grateful to be up here again and so grateful to have survived into our third season," Fey said on stage of her show, which has struggled to build an audience.
On the drama side, five-time Oscar nominee Glenn Close was named best actress, as widely expected, for portraying a ruthless trial lawyer on the new FX legal series "Damages."
But in the night's biggest upset, the Emmy for best actor in a drama went to Bryan Cranston for starring on another new cable TV show, AMC's "Breaking Bad," as a terminally ill high school teacher who cooks crystal methamphetamine.
Cranston, who previously played the dad on the long-running Fox family sitcom "Malcolm in the Middle," noted the disparity between his Emmy honor and the small viewership of his show -- something many Emmy winners this year had in common.
"We're on a small network, not a lot of people see it, so hopefully this will bring some attention to us," he said backstage.
HISTORY AND POLITICS
"John Adams" was the biggest winner overall with 13 awards, including best miniseries. The prize for best actor in that category went to its star, Paul Giamatti, best known on the big screen for playing a sad-sack wine enthusiast in "Sideways."http://www.blogger.com/img/gl.photo.gif
Co-star Laura Linney was named best actress in a miniseries for playing Abigail Adams, the wife of the patriot who helped organize the American revolution and succeeded George Washington as president.
"Our founding fathers were community organizers, and they were remarkable men," Linney said backstage, alluding to recent remarks by Republican politicians disparaging Democratic presidential nominee Barack Obama's experience working for the poor in Chicago.
Linney's comments echoed a strong political undercurrent that ran through much of the night less than two months before the U.S. presidential election.
"As you know, the election between (Thomas) Jefferson and John Adams was filled with innuendo, lies, a bitter, partisan press and disinformation," movie star Tom Hanks, an executive producer on John Adams, said from the stage. "How great we've come so far since then."
Martin Sheen, former star of the White House drama "West Wing," even made an appearance to urge Americans to vote.
The show also was notable for a heavy dose of nostalgia and vintage TV clips as the 60th anniversary Emmys show saluted the medium's glory days and veteran stars, with tributes to old hits ranging from "Rowan & Martin's Laugh-In" to "Seinfeld."
Looking to more recent hits, organizers recognized the rise of non-scripted programming by including a first-ever category for outstanding reality show host, a prize that went to Jeff Probst of the CBS's "Survivor." He was declared the winner after all five nominees were called to the stage, then made to wait through a commercial break, as on a reality show.
But as it has for the past six years, the nation's most watch show, "American Idol," lost out to "The Amazing Race" in the contest for best competitive reality series.
Comedy Central's satirical newscast, "The Daily Show with Jon Stewart," likewise won for best variety series for a sixth straight year.
Emmy voters further demonstrated their affinity for repeat winners by bestowing the prize for best supporting actor in a comedy on Jeremy Piven for a third straight year. He plays a sly Hollywood agent on the HBO series "Entourage."
The award for best supporting actress in a comedy went to Jean Smart, the overbearing mother of a woman with amnesia on the new ABC series "Samantha Who?"
On the drama front, Zeljko Ivanek was named best supporting actor for playing a smooth-talking lawyer on the new FX legal hour "Damages." And veteran screen actress Dianne Wiest was named best supporting actress as a psychotherapist's therapist on the HBO series "In Treatment."
Reuters/Nielsen
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Sunday, September 21, 2008
Music : Pink 'So What'
Single Info :
Artist : Pink
Single : So What
Release date: 15th August 2008
Label: LaFace Records
Copyright: (P) 2008 LaFace Records, LLC
Song Length: 3:34 minutes
Genres: Pop/General
ASIN: B001E6PX1U
Writer(s) : Pink, Max Martin, Shellback
Producer : Max Martin
Single Review :
By Nick Levine
If you're unaware of recent developments in Pink's personal life, her new single will bring you bang up to date. "I guess I just lost my husband, I don't know where he went," go the opening lines, "So I'm gonna drink my money, I'm not gonna pay his rent." That's right, 'So What' is a break-up song.
Specifically, it's a brash, childish, defiant and rather tongue-in-cheek break-up song. It's also a break-up song that lots of people will be singing along to, thanks to a typically stonking pop/rock chorus courtesy of Max Martin. But Pink's brilliance here shouldn't be underestimated. Who else would think to do something like this? Who else could pull it off? And who else could persuade the ex-hubby she calls a "tool" on the chorus to appear in the video?
Taken From : http://www.digitalspy.co.uk
Pink so what live at MTV video awards
Pink - So What Lyrics :
Na Na Na Na Na Na Na
Na Na Na Na Na Na
Na Na Na Na Na Na Na
Na Na Na Na Na Na
I guess i just lost my husband
I don't know where he went
So i'm gonna drink my money
I'm not gonna pay his rent (Nope)
I got a brand new attitude
And i'm gonna wear it tonight
I wanna get in trouble
I wanna start a fight
Na Na Na Na Na Na Na
I wanna start a fight
Na Na Na Na Na Na Na
I wanna start a fight
So so what?
I'm still a rock star
I got my rock moves
And i don't need you
And guess what
I'm having more fun
And now that we're done
I'm gonna show you tonight
I'm alright, I'm just fine
And you're a tool
So so what?
I am a rockstar
I got my rock moves
And i don't want you tonight
Uh, check my flow, uh
The waiter just checked my table
And gave to Jessica Simp- Shit!
I guess i'll go sit with drum boy
At least he'll know how to hit
What if this song's on the radio
Then somebody's gonna die
I'm gonna get in trouble
My ex will start a fight
Na Na Na Na Na Na Na
He's gonna start a fight
Na Na Na Na Na Na Na
We're all gonna get in a fight!
So so what?
I'm still a rock star
I got my rock moves
And i don't need you
And guess what
I'm having more fun
And now that we're done
I'm gonna show you tonight
I'm alright, I'm just fine
And you're a tool
So so what?
I am a rock star
I got my rock moves
And i don't want you tonight
You weren't fair
You never were
You weren't all
But thats not fair
I gave you life
I gave my all
You weren't there
You let me fall
So so what?
I'm still a rock star
I got my rock moves
And i don't need you
And guess what
I'm having more fun
And now that we're done (we're done)
I'm gonna show you tonight
I'm alright(I'm alright),I'm just fine (I'm just fine)
And you're a tool
So so what?
I am a rock star
I got my rock moves
And i don't want you tonight
No No, No No
I Don't want you tonight
You weren't fair
I'm gonna show you tonight
I'm alright, I'm just fine
And you're a tool
So so what?
I am a rock star
I got my rock moves
And i don't want you tonight
Ba da da da da da
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Movie : Nights in Rodanthe
Movie Info :
Title : Nights in Rodanthe
Release Date: September 26, 2008
Genre: Drama, Romance
Running Time: 97 minutes
MPAA Rating: Rated PG-13 for some sensuality.
Director: George C. Wolfe
Writer: Ann Peacock, John Romano, Ken Hixon, Nicholas Sparks
Cast: Richard Gere, Diane Lane, Scott Glenn, James Franco, Christopher Meloni, Viola Davis, Mae Whitman, Pablo Schreiber
Producer: Denise Di Novi
Distributor: Warner Bros. Pictures/Village Roadshow
Official Website : http://nightsinrodanthe.warnerbros.com/
Synopsis:
Adrienne Willis (Diane Lane), a woman with her life in chaos, retreats to the tiny coastal town of Rodanthe, in the Outer Banks of North Carolina, to tend to a friend's inn for the weekend. Here she hopes to find the tranquility she so desperately needs to rethink the conflicts surrounding her--a wayward husband who has asked to come home, and a teenaged daughter who resents her every decision. Almost as soon as Adrienne gets to Rodanthe, a major storm is forecast and Dr. Paul Flanner (Richard Gere) arrives. The only guest at the inn, Flanner is not on a weekend escape but rather is there to face his own crisis of conscience. Now, with the storm closing in, the two turn to each other for comfort and, in one magical weekend, set in motion a life-changing romance that will resonate throughout the rest of their lives.
Movie Review :
by Michael Bialas
Talk about Safe Sex.
Maybe Richard Gere and Diane Lane would rather be safe than sorry as two wayward souls who try to save each other in Nights in Rodanthe, a weeper for the Middle Age Crazy set (and you know who you are).
This is the third pairing of Gere and Lane. They fought like immature newlyweds while dealing with danger and 1930s gangsters in 1984’s The Cotton Club, then portrayed unhappily married husband and wife in 2002’s Unfaithful, which earned Lane an Academy Award nomination as an unsatisfied woman who gets involved in a steamy affair with a young foreign hunk. Those roles for Gere and Lane obviously didn’t allow their characters to connect on an intense, emotional level.
Finally, the charming Gere and the lovely Lane are put under the right circumstances to heat up the screen (and the audience) in Nights in Rodanthe, a soap-sudsy drama based on a best-selling novel. Dr. Paul Flanner (Gere) is the lone guest for four nights at a North Carolina beach-side inn, and he eventually falls for Adrienne Willis (Lane).
This desperate housewife with a rebellious teenage daughter (is there any other kind?) and a geek of a son has been deserted by her philandering husband (Christopher Meloni) known as “Reptile Jack.” He soon begs her to allow him to come back home but she leaves them all behind (wouldn’t you?) to run the inn for her friend, Jean (Viola Davis, who gets all the best lines). While making dinner for Flanner for the first time, the sounds of blues legend Dinah Washington and the Big Band Era’s Count Basie fill the room. If this film is trying to appeal to old-timers, happy days are here again.
Gere and Lane, who are as beautiful as the coastal Carolina scenery, pass the chemistry test with flying colors. Gere, out of place as a Bob Dylan incarnation in 2007’s I’m Not There, is back on the romantic track while Lane, last seen in the unforgivable Untraceable, turns in her best performance since 2003’s Under the Tuscan Sun.
They look incredible together, they play well off each other and they appear to be having a good time as damaged goods looking for love the second time around.
If only the sex were better. Granted, this is a PG-13 film, but when a hurricane threatens to rock the house, one expects the suave Gere and the luscious Lane to shake it up, too. After some sweet kisses and tender cuddles, they basically call it a night.
Is that all there is? Not quite. This is a romance, after all.
In one of the nicer early scenes that proves Lane isn’t just another pretty face, Adrienne tries to ease the pain after an angry phone conversation with her ex. She dances to some tunes she plays on an actual turntable (score another one for the AARP crowd), then joins Paul for several shots of Jack Daniel’s before deciding to clean house. Well, at least Jean’s pantry. Hanky-panky is out the question, though, when Adrienne decides she’s had enough fun for one evening. Boo-hoo.
Of course, the relationship eventually hits a rough patch as the two argue about whose life is worse and the wrong choices they have made. Adrienne runs out, the storm nears and the good doctor goes to the rescue.
Fortunately, he resists yelling, “Yo, Adrienne,” to win her back. Instead, he tells her, “Any man is a fool who doesn’t know how lucky he is to have you.”
The healing process begins. They shed a few tears (though it seems incredibly difficult to squeeze that one drop out of Gere), we shed a few tears. A better title for this movie would have been The Notebook for Grownups.
After returning to their families (Flanner reunites with his estranged son, played by James Franco), the couple find strength and solitude in the love letters they write each other. Didn’t they know about e-mail? Just think what they would have saved on postage.
At a jam-packed theater on September 16 in Westminster, Colorado, where they had to turn people away from a sneak preview, the audience was more than 80 percent women. If most of them were there for a good cry, they got it. But what about the ones breathlessly waiting for a hot summer night between the two hotties? Was it in the cards?
In a recent interview with Glamour magazine, Lane might have tipped her hand.
Sharing the September cover with Rachel Bilson and Ali Larter as part of a “Gorgeous at any age” feature, Lane is still “red-hot at 43,” but raises some eyebrows when discussing the sex factor in her film roles:
“It makes me very uncomfortable…. I tell my daughters, ‘That’s why they call it work, because it’s not what you’d prefer to do with your free time….’ I don’t want any more sex scenes on-screen. I’m done.”
So men now have a reason to be considered the "weaker sex." Go ahead, guys, break out the hankies for this one. Lane just gave all of us something to cry about.
Taken From : http://blogcritics.org
Nights in Rodanthe (2008) Official Theatrical Trailer
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